Posted on 25 November 2009. Tags: DPA 4099, DPA Microphones, dpa mics, dpamicrophones, Guitar, instrument, live performance, Mix Magazine, studio recording, super-cardioid

- DPA Microphones 4099 Wins 2009 TEC Award
DPA has won a 2009 TEC Award for outstanding technical achievement in professional audio product design for the 4099 clip microphone. The DPA 4099, launched in September 2008, won in the Microphone Technology/Sound Reinforcement category, reinforcing the positive market reaction and surge in demand that has greeted the mic since its launch.
TEC Awards nominations are made by a panel of industry professionals and voted upon by members of various professional organisations and audio industry websites. The award ceremony was held at a special event during the 127th AES convention in New York.
DPA 4099 condenser mics and mounting systems are designed for a wide range of instruments, including guitar, violin, trumpet and sax. Representing years of R&D, the 4099 features supercardioid polar patterns for superior gain-before-feedback. Capable of handling intense SPLs, it shares the same high quality and transparent sound characteristics as DPA’s other world-class microphones.
Tiny, discreet and lightweight, the 4099 is extremely rugged, and the versatile gooseneck provides stable positioning. The mic can be easily unclipped and repositioned or moved to another instrument with only one hand, while the mounting system is designed to leave no mark on precious instruments. New instrument clips to fit the 4099 will be available in the New Year.
Posted in Product News
Posted on 25 November 2009. Tags: cardioid, dpa, dpamicrophones, metalliance, studio recording

METAlliance has certified the DPA 4011-TL Cardioid Condensor Microphone
DPA Microphones, manufacturer of a wide range of products for broadcast, film, studio and live recording, has been granted Music Engineering & Technology Alliance certification for the DPA 4011-TL transformerless cardioid condenser microphone.
Successor to the legendary B&K/DPA 4011 cardioid microphone, the 4011-TL continues the DPA heritage with its uncompromising sound quality. State-of-the-art components are hand-selected to provide optimum transparency, accuracy and extremely low distortion. The microphone has been designed to handle extremely high SPL’s of up to 158dB before clipping.
“My 4011′s travel with me to every recording session,” remarked METAlliance founding director Ed Cherney. “I originally got my 4011′s to deal with a drummer who would hit his hi-hat cymbal so hard that most mics that I tried would just get overloaded. I needed something that was directional, clear and could handle level, and the 4011’s can. I now use my 4011′s to capture acoustic guitars, mandolins, woodwinds, percussion, piano, and more. The craftsmanship is spectacular. Not only do I use them to capture the essence of an instrument, they’re also good for getting out of jams.”
George Massenburg explained, “The 4011 has been part of my standard recording kit for a very long time now. For what I hear, it’s hard for me to imagine improving on it for specific instruments like conga and acoustic bass. A great mic. A great tradition.”
Multi-Grammy® winner Chuck Ainlay commented, “I can’t imagine tracking an album without them. Just by placing the 4011s on a few key instruments can influence the overall feeling of quality in the entire recording. You can feel the quality just by handling them.” Al Schmitt added, “It’s simply a very good microphone which I use all the time.”
DPA Microphones began in 1992 when Brüel & Kjaer, Denmark’s venerable measurement equipment manufacturer, spun off its specialist pro audio division to former employees Morten Støve and Ole Brøsted Sørensen, designer of the microphones. DPA Microphones’ philosophy is based on a commitment to provide audio professionals with microphone solutions of the highest professional caliber. The result is an ever-expanding product portfolio of microphones and accessories that offer true professional solutions.
Established in 2005 by renowned music producers and recording engineers Chuck Ainlay, Ed Cherney, Frank Filipetti, George Massenburg, Phil Ramone, Elliot Scheiner, and Al Schmitt, the METAlliance is a collaborative community that allows producers, engineers and audio technology manufacturers to work together to ensure the highest standards of audio production.
Alongside platforms for research and development, standardization and education, METAlliance also works closely with manufacturers to evaluate and certify products that offer the highest levels of quality in the recording chain. To date, only a handful of products have achieved this accolade.
Check out the METAlliance website for more information.
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