SMK4081 and IMK4081 Directional Microphone Kits

The DPA 4081 Miniature Cardioid Microphone is a high quality directional condenser microphone. Each 4081 is a complete, integrated system combining microphone, windscreen, shock mount and cable management system.

The SMK4081 Stereo Microphone Kit is a cost-effective and flexible stereo recording solution designed for ultra-low profile, discreet two-channel recording.

The SMK4081 Stereo Microphone Kit contains two microphones with identical sensitivity, matched within +/- 1 dB at 1kHz, to create an optimized stereo pair. Two mounting options are included with the kit, both clip-on and magnet mounts. Both are easily interchangeable depending on the situation for optimal setup.

Included in the SMK4081 kit are two DAD6001-BC adapters with belt clips to power DPA 4081 miniature microphones via standard P48. When used in conjunction with our range of over 35 adapters, the MicroDot connector provides the ability to connect to virtually all available pro wireless systems.

The IMK4081 is a single mic kit which includes one each of the DAD6001-BC, clip-on mount and magnet mount, designed for recording a single instrument.

The DPA 4081 Miniature Cardioid Microphone is a high quality directional condenser microphone. Each 4081 is a complete, integrated system combining microphone, windscreen, shock mount and cable management system.

The SMK4081 Stereo Microphone Kit is a cost-effective and flexible stereo recordingsolution designed for ultra-low profile, discreet two-channel recording.  The SMK4081 Stereo Microphone Kit contains two microphones with identical sensitivity, matched within +/- 1 dB at 1kHz, to create an optimized stereo pair. Two mounting options are included with the kit, both clip-on and magnet mounts. Both are easily interchangeable depending on the situation for optimal setup.

Included in the SMK4081 kit are two DAD6001-BC adapters with belt clips topower DPA 4081 miniature microphones via standard P48. When used in conjunction with our range of over 35 adapters, the MicroDot connector provides the ability to connect to virtually all available pro wireless systems.

The IMK4081 is a single mic kit which includes one each of the DAD6001-BC,clip-on mount and magnet mount, designed for recording a single instrument.

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With its easy to hang and aim design along with its extremely natural sound, the 4098H is truly a hanging mic without equal. Continuing DPA’s heritage of sonic excellence, this series of microphones achieves the purest reproduction of the full range of the human voice.

DPA 4098H Graphs and Preliminary Specifications

Directional characteristics: Supercardioid

Principle of operation: Pressure gradient

Cartridge type: Pre-polarized condenser

Frequency range, ± 2 dB: 40 Hz – 15 kHz

Sensitivity, nominal, ±3 dB: 20 mV/Pa

Equivalent noise level A-weighted: Typ. 20 dB(A)

S/N ratio, re. 1 kHz at 1 Pa (94 dB SPL): 71 dB

Total harmonic distortion (THD): <1 % up to 123 dB SPL peak; <1 % up to 120 dB SPL RMS sine

Dynamic range: 100 dB

Max. SPL, peak before clipping: 132 dB

Output impedance: From MicroDot: 30 – 40 ohm, from DAD6001: 100 ohm

Cable drive capability: 300 m (984 ft) with DAD6001

Output balance principle: Signal balanced with enclosed DAD6001 XLR adapter

Common Mode Rejection Ratio (CMRR): > 60 dB at 50 Hz to 15 kHz with DAD6001 XLR adapter

Power supply: 48 V phantom power ±4 V with DAD6001 XLR adapter

Current consumption: 3.5 mA with DAD6001 XLR adapter

Connector: MicroDot/XLR

Color: Black

Weight: 14 g (0.5 oz)

Capsule diameter: 5.4 mm (0.2 in)

Microphone length: 45 mm (1.8 in)

Gooseneck length: 10cm (4 in.)

Polarity: Positively increasing sound pressure produces positive going voltage at MicroDot pin

(and pin 2 on DAD6001 XLR adapter)

Operating temperature range: -40 °C to 45 °C (14 °F to 113 °F)

Relative humidity: Up to 90 %

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The much anticipated mounts for both Bass and Cello are  here!

Bassists and cellists both have fallen in love with the 4099 Instrument microphone, and now DPA introduces special clips just for them to use with the 4099.  The 4099 is a unique instrument microphone with the same sonic purity as the legendary DPA studio microphones.

The 4099B combines the 4099 microphone and a new mounting system that has been designed specially for the double bass. Together they ensure the best possible mount and audio reinforcement is achieved when performing live. The 4099B attaches to the E and G string below the bridge, allowing the microphone capsule to be placed in the sweet spot between the bridge and fingerboard.

The 4099C combines the 4099 microphone and a new mounting system that is optimized for the cello. This ensures the best possible position and audio reinforcement is achieved when performing live. The 4099C attaches to the C and A string below the bridge and allows for microphone capsule placement in the sweet spot between bridge and fingerboard.  This provides a unique combination of natural string sound and high audio separation on stage.

Contact a dealer or give us a call for more information.

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DPA has won a 2009 TEC Award for outstanding technical achievement in professional audio product design for the 4099 clip microphone. The DPA 4099, launched in September 2008, won in the Microphone Technology/Sound Reinforcement category, reinforcing the positive market reaction and surge in demand that has greeted the mic since its launch.

TEC Awards nominations are made by a panel of industry professionals and voted upon by members of various professional organisations and audio industry websites. The award ceremony was held at a special event during the 127th AES convention in New York.

DPA 4099 condenser mics and mounting systems are designed for a wide range of instruments, including guitar, violin, trumpet and sax. Representing years of R&D, the 4099 features supercardioid polar patterns for superior gain-before-feedback. Capable of handling intense SPLs, it shares the same high quality and transparent sound characteristics as DPA’s other world-class microphones.

Tiny, discreet and lightweight, the 4099 is extremely rugged, and the versatile gooseneck provides stable positioning. The mic can be easily unclipped and repositioned or moved to another instrument with only one hand, while the mounting system is designed to leave no mark on precious instruments. New instrument clips to fit the 4099 will be available in the New Year.

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METAlliance has certified the DPA 4011-TL Cardioid Condensor Microphone

DPA Microphones, manufacturer of a wide range of products for broadcast, film, studio and live recording, has been granted Music Engineering & Technology Alliance certification for the DPA 4011-TL transformerless cardioid condenser microphone.

Successor to the legendary B&K/DPA 4011 cardioid microphone, the 4011-TL continues the DPA heritage with its uncompromising sound quality.  State-of-the-art components are hand-selected to provide optimum transparency, accuracy and extremely low distortion. The microphone has been designed to handle extremely high SPL’s of up to 158dB before clipping.

“My 4011′s travel with me to every recording session,” remarked METAlliance founding director Ed Cherney.  “I originally got my 4011′s to deal with a drummer who would hit his hi-hat cymbal so hard that most mics that I tried would just get overloaded. I needed something that was directional, clear and could handle level, and the 4011’s can.  I now use my 4011′s to capture acoustic guitars, mandolins, woodwinds, percussion, piano, and more. The craftsmanship is spectacular. Not only do I use them to capture the essence of an instrument, they’re also good for getting out of jams.”

George Massenburg explained, “The 4011 has been part of my standard recording kit for a very long time now.  For what I hear, it’s hard for me to imagine improving on it for specific instruments like conga and acoustic bass.  A great mic.  A great tradition.”

Multi-Grammy® winner Chuck Ainlay commented, “I can’t imagine tracking an album without them.  Just by placing the 4011s on a few key instruments can influence the overall feeling of quality in the entire recording. You can feel the quality just by handling them.”  Al Schmitt added, “It’s simply a very good microphone which I use all the time.”

DPA Microphones began in 1992 when Brüel & Kjaer, Denmark’s venerable measurement equipment manufacturer, spun off its specialist pro audio division to former employees Morten Støve and Ole Brøsted Sørensen, designer of the microphones. DPA Microphones’ philosophy is based on a commitment to provide audio professionals with microphone solutions of the highest professional caliber. The result is an ever-expanding product portfolio of microphones and accessories that offer true professional solutions.

Established in 2005 by renowned music producers and recording engineers Chuck Ainlay, Ed Cherney, Frank Filipetti, George Massenburg, Phil Ramone, Elliot Scheiner, and Al Schmitt, the METAlliance is a collaborative community that allows producers, engineers and audio technology manufacturers to work together to ensure the highest standards of audio production. 

Alongside platforms for research and development, standardization and education, METAlliance also works closely with manufacturers to evaluate and certify products that offer the highest levels of quality in the recording chain. To date, only a handful of products have achieved this accolade. 

Check out the METAlliance website for more information.

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DPA 4099 Instrument Microphones

Representing years of research and development, the 4099 condenser microphones feature supercardioid polar patterns for superior gain-before-feedback. Fully capable of handling the guitar’s dynamic range and subtle details, these microphones live up to their pedigree with sound as accurate as DPA’s other world-class microphones.

DPA Microphones 4099 Guitar

4099-G for Guitar, Dobro, Ukulele, Mandola and more.

• Superior gain-before-feedback
• Wireless compatible
• Flexible and easy one-hand mounting
• Holder gentle to the instrument

Perfect for PA amplification and live recording of acoustic guitar, mandolin, banjo and dobro, the 4099G offers practically unlimited placement possibilities as well as a sound that is considerably more natural than an internal microphone or pick-up.

The 4099G is a unique clip microphone inheriting the sonic approach from the legendary DPA studio microphones to a new instrument microphone. The 4099 microphone and mounting system is meticulously designed and optimized for the guitar family. This is to ensure the best possible mount and audio reinforcement is achieved when performing live. The 4099G fits instruments with a body depth between 35 mm (1.4 in) and 122 mm (4.8 in).

Representing years of research and development, the 4099 condenser microphones feature supercardioid polar patterns for superior gain-before-feedback. Fully capable of handling the guitar’s dynamic range and subtle details, these microphones live up to their pedigree with sound as accurate as DPA’s other world-class microphones.

Despite its tiny, discreet size and elegant, lightweight design, 4099G is extremely rugged. The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument with only one hand, while the mounting system is designed never to mar or scratch the finish of your instrument.

Reduce cable clutter on stage by using the DAO4099-G Guitar Double Cable. The cable carries both the 4099 mic extension cable and a pick-up jack connection in one dual cable run in a nylon sock. The jack uses high quality Mogami cable and gold Neutrik connectors. At the instrument end there is a right-angled connector. The microphone extension is the DPA miniature cable.

Through the use of our extensive adapter system, the 4099 is compatible with virtually any wireless system and can also be used as a standard 48V phantom powered microphone via the included XLR connector.

Fleet owners of 4099s will appreciate the multiplicity of using the microphone for a number of different instruments simply by moving the microphone/gooseneck part to another instrument clip from the range.

With its very flexible design for a wide variety of mounting and positioning possibilities along with its extremely natural sound, the 4099 is truly a musician’s mic without equal.

DPA Microphones 4099 Violin

4099-V for Violin, Viola, Mandolin, Banjo and more.

• Superior gain-before-feedback
• Wireless compatible
• Flexible and easy one-hand mounting
• Holder gentle to the instrument

Violin and viola players will appreciate how gently the 4099V adheres to a prized instrument while its elegantly lightweight, unobtrusive design keeps it from getting in the way of a passionate performance.

The 4099V is a unique clip microphone inheriting the sonic approach from the legendary DPA studio microphones to a new instrument microphone. The 4099 microphone and mounting system is meticulously designed and optimized for the string family. This is to ensure the best possible mount and audio reinforcement is achieved when performing live. The 4099V fits other instruments with a body depth between 35 mm (1.4 in) and 55 mm (2.1 in).

Despite its tiny, discreet size and elegant, lightweight design, 4099V is extremely rugged. The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument with only one hand, while the mounting system is designed never to mar or scratch the finish of your instrument.

Through the use of our extensive adapter system, the 4099 is compatible with virtually any wireless system and can also be used as a standard 48V phantom powered microphone via the included XLR connector.

Fleet owners of 4099s will appreciate the multiplicity of using the microphone for a number of different instruments simply by moving the microphone/gooseneck part to another instrument clip from the range.

With its very flexible design for a wide variety of mounting and positioning possibilities along with its extremely natural sound, the 4099 is truly a musician’s mic without equal.

DPA Microphones 4099 Saxophone

4099-S for all Saxophones, bass clarinet and more.

• Superior gain-before-feedback
• Wireless compatible
• Flexible and easy one-hand mounting
• Holder gentle to the instrument
  

Soprano, alto, tenor or baritone, the 4099S fits them all, providing exceptional gain-before-feedback and a broad spectrum of uncompromised tonal possibilities depending on the microphone placement.

The 4099S is a unique clip microphone inheriting the sonic approach from the legendary DPA studio microphones to a new instrument microphone. The 4099 microphone and mounting system is meticulously designed and optimized for the saxophone family. This is to ensure the best possible mount and audio reinforcement is achieved when performing live.

Despite its tiny, discreet size and elegant, lightweight design, 4099S is extremely rugged. The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument with only one hand, while the mounting system is designed never to mar or scratch the finish of your instrument.

Through the use of our extensive adapter system, the 4099 is compatible with virtually any wireless system and can also be used as a standard 48V phantom powered microphone via the included XLR connector.

With its very flexible design for a wide variety of mounting and positioning possibilities along with its extremely natural sound, the 4099 is truly a musician’s mic without equal.

DPA Microphones 4099 Trumpet

4099-T for Trumpets

• Handles extreme sound pressure levels
• Wireless compatible
• Flexible and easy one-hand mounting
• Fits any mute
  

An ideal tool for trumpet, trombone and other brass instruments, with or without mute, the 4099T effortlessly handles even the highest sound pressure levels. Its innovative mounting mechanism makes it easy to move the mic between instruments with only one hand.

The 4099T is a unique clip microphone inheriting the sonic approach from the legendary DPA studio microphones to a new range of instrument microphones. The 4099 microphone and mounting system is meticulously designed and optimized for the brass family. This is to ensure the best possible mount and audio reinforcement is achieved when performing live.

Despite their tiny, discreet size and elegant, lightweight design, 4099 models are extremely rugged. The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument with only one hand, while the mounting system is designed never to mar or scratch the finish of your instrument. Any mute can be used together with the microphone and it is easy to place the trumpet in a stand while keeping the 4099 clip on the instrument.

Through the use of our extensive adapter system, the 4099 is compatible with virtually any wireless system and can also be used as a standard 48V phantom powered microphone via the included XLR connector.

With its very flexible design for a wide variety of mounting and positioning possibilities along with its extremely natural sound, the 4099 is truly a musician’s mic without equal.

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